In my last post, "Honor for the Dead," I mentioned that this year as part of our family Samhain celebration, we crafted prayer bead bracelets to help us connect more deeply with our ancestors. A bunch of you have asked for more details on how to make prayer beads of your own, so I put together this handy-dandy step-by-step tutorial. Let's do some magic!
There is always pressure to either romanticize or demonize the past. As it recedes into the distance of memory, its complexities are all too easily lost in the mists. The veils of time fall across our vision and we glimpse only vague impressions of a landscape, a culture, a handful of faces on the edge of our perception that seem to change and fade when we turn to look again. What does it mean to part this veil, to honor the ancestors?
"One day I am sweet, another day I am sour," says the Irish trickster god Manannan mac Lir in his guise as the disheveled traveling buffoon whose hat is full of holes and whose shoes squish with puddle water when he walks. Manannan appears in folktales sometimes as a buffoon and sometimes as a richly dressed bard of talent and renown. When he is a buffoon, his words are sweet and his music sweeter; when he is a master of his craft, he comes off as a fake and an ass. When he is at home, he is a king whose otherworldly castle is thatched with white birds' wings. But the half-thatched homes of the mortal bards will never be complete. While the poets are away gathering their feathers, the winds have already swept away the last day's work. Which is the real god? The king, the poet, or the wandering buffoon? Which is the real writer? Which is the real me?
Alison Leigh Lilly 