This series began with childhood memories of chilly winter nights. As a kid, I remember how the cold seemed to contract around you, drawing you closer to loved ones, making your world seem small enough to hold in the palm of your hand... There was a comfort in having nowhere to go and nothing to do, but also a restlessness and excitement to know that outside, a winter storm was raging.
Birches have long been a symbol of new beginnings -- they're a pioneer species, one of the first to regrow in an area after a natural disaster, and their bark contains oils that make it especially good for kindling life-giving fires in the hearth (and heart) during the coldest, darkest months of the year.
Move. Between justice and mercy, between nakedness and warfare, between all that you would not do and all you have done, unknowing...
Even just a few days in Santa Fe can leave me speechless...
Partly because I'm parched -- my rain-soaked soul, so used to wandering the misty shores of Puget Sound, rebels against the high elevation and incredibly dry climate... But mostly because, in the midst of the desert, the astounding color and diversity of human culture overwhelms me with amazement and gratitude.
"Nature is not natural and can never be naturalized."
The lines we draw around the sacred earth can cut us right down the middle.
We draw a line around what is sacred, to set it apart as special. We imagine the planet as a precious blue marble floating in space, so small and far away we cannot see the delicate contours of our own faces turned upwards towards the night sky, doing the imagining. We worship the lands that give us life, the earth that sustains us with its salty waters and wild winds, its mud and grit. We encircle the world in the darkness of outer space, and it shimmers all the brighter.
But when we're not paying attention, the lines we draw around the sacred can cut us right through the middle.
In light of recent events and discussions, I wanted to share this essay as a robust defense of the sacred value of art, poetry and satire within both our theological explorations and our political discourse. It is my view that ambivalence itself can be sacred, for it opens us to authentic experiences of others which may be unexpected or challenging, and so we can appreciate this ambivalence and the art forms that express it as powerful and meaningful aspects of our relationship with the numinous, and with each other.