"Red as blood, white as snow, black as a raven's wing…." These three colors appear again and again in folklore the world over, but why? What is it about this triad that exerts such power on our collective imaginations?
This series began with childhood memories of chilly winter nights. As a kid, I remember how the cold seemed to contract around you, drawing you closer to loved ones, making your world seem small enough to hold in the palm of your hand... There was a comfort in having nowhere to go and nothing to do, but also a restlessness and excitement to know that outside, a winter storm was raging.
Birches have long been a symbol of new beginnings -- they're a pioneer species, one of the first to regrow in an area after a natural disaster, and their bark contains oils that make it especially good for kindling life-giving fires in the hearth (and heart) during the coldest, darkest months of the year.
I wonder what Jung would have to say about it, how for years now we have saturated the collective unconscious with stories of war, collusion and incest...
I am writing you
the way a gazelle
must grow ever sleeker
the indelicate jaws
of the lion.
We might try to follow where the clown leads, but we cannot hope to pin him down. It is only when we stop insisting that the clown be just one thing that he is free to become the multiplicity of being that he really is.
Pagans like to say, "What is remembered, lives." Memory is re-membering, the act of giving life to the past through rituals of witness.
Writing in a group setting is different, much more like praying together. Or sitting together in meditation. Being present to each other in-process, witness to the very act of discovery and composition, soul-deep in the chaotic waters of creativity. This is writing as a spiritual practice — a kind of sacred deep listening, what Karen Hering calls in her book Writing to Wake the Soul, "contemplative correspondence."
Even just a few days in Santa Fe can leave me speechless...
Partly because I'm parched -- my rain-soaked soul, so used to wandering the misty shores of Puget Sound, rebels against the high elevation and incredibly dry climate... But mostly because, in the midst of the desert, the astounding color and diversity of human culture overwhelms me with amazement and gratitude.
These days our society is moving further and further from the simple conception of gender as a binary: male or female, man or woman. We are beginning to recognize that gender is complex. In the natural world, scientists continue to discover undeniable examples of how sexuality is multifaceted and fluid, from the parthenogenesis of blacktip sharks to the three distinct sexes of the midshipman toadfish. But we're not there yet. Binaries have kept us trapped for a long time, defining us by what we are not or what we supposedly cannot do, rather than by who we are and what we're really capable of.