Where does our anthropocentrism come from? Some scientists cite evolutionary pressures as one possible influence among many. But others point to instinctual cognitive processes to explain just the opposite, suggesting that the anthropocentric worldview is actually a rejection of the human instinct, not its inevitable consequence. Even if anthropocentrism isn't instinctual, for many of us it is deeply ingrained. To a man with a shovel, it can be hard to imagine any other solution but to keep digging our way out of this anthropocentric hole we find ourselves stuck in. Western society has spent a long time convincing us that the shovel is the only effective tool we have. Are there alternatives? How do we learn to think beyond the biases of anthropocentrism and reconnect with the more-than-human world?
What were you expecting? A tame goddess who can be bribed with easy offerings? A pleasant springtime girl who asks for nothing but your adoration in return? An owl-feathered maiden of the forest to indulge your taste for the exotic and the dark? Were you hoping for a bedtime story with a moral at the end? Blodeuwedd's story isn't over. It is on-going. It is forever unfolding in every moment, in every place where nature and culture conflict and comingle, in every breath that weaves us as human animals into the more-than-human world. It would be too easy to approach Blodeuwedd through mythology and ritual alone, to disconnect her from the messy, erotic, death-riddled real world of broom blossoms and barred owls.
As a writer and creative type who thrives in the online world, issues of copyright protection and piracy can be very real problems for me. Of course I want legal protections for my work. As an avid reader and web-surfer who loves lolcats and Dinosaur Comics as much as the next person, I want the artists, writers and creative types out there who produce content for my favorite sites to have those same protections — even, no, especially if those creative types are just some college students messing around on YouTube and not Hollywood stars making millions off the latest blockbuster. But that's not what SOPA/PIPA is really about. The SOPA and PIPA bills are like the ring of power forged in the fires of Mount Doom: one law to rule them all, one law to find them, one law to bring them all and in the darkness bind them. Sponsored by a bloated entertainment industry that overcharges for pretty much everything, these bills would put in place the kind of invasive oversight infrastructure that would not only allow large corporations to sue technology start-ups and independent artists out of existence based on little to no evidence of piracy or copyright infringement, but would require on-going surveillance of user-produced content that makes Facebook's privacy problems look like child's play. Any website perceived as a potential threat to the Powers That Be would be vulnerable to lawsuits, while individuals would be subject to censorship and data-mining as a matter of course, creating a hostile and uncertain online environment in which conformity becomes the order of the day.
In my latest post over on No Unsacred Place, I talk about the exciting discoveries of recent genetic research into LUCA, the Last Universal Common Ancestor of all life on earth, and what parallels we can draw to ancient creation stories about the divine origins of life from cultures all over the world.