I wonder what Jung would have to say about it, how for years now we have saturated the collective unconscious with stories of war, collusion and incest...
It is only when we stop insisting that the clown be just one thing that he is free to become the multiplicity of being that he really is. Read more...
Even just a few days in Santa Fe can leave me speechless... Partly because I'm parched -- my rain-soaked soul, so used to wandering the misty shores of Puget Sound, rebels against the high elevation and incredibly dry climate... But mostly because, in the midst of the desert, the astounding color and diversity of human culture overwhelms me with amazement and gratitude.
What were you expecting? A tame goddess who can be bribed with easy offerings? A pleasant springtime girl who asks for nothing but your adoration in return? An owl-feathered maiden of the forest to indulge your taste for the exotic and the dark? Were you hoping for a bedtime story with a moral at the end? Blodeuwedd's story isn't over. It is on-going. It is forever unfolding in every moment, in every place where nature and culture conflict and comingle, in every breath that weaves us as human animals into the more-than-human world. It would be too easy to approach Blodeuwedd through mythology and ritual alone, to disconnect her from the messy, erotic, death-riddled real world of broom blossoms and barred owls.
Part of my identity as someone with a Celtic spirituality is the inescapable fact of exile. I am not only a person with Irish heritage living in the multicultural milieu of modern America, but I am also a polytheist and Pagan trying to connect with my ancestors across millennia of lost traditions from my place in a monotheistic, Abrahamic mainstream culture. It is within that diaspora — that exile — that I will have to discover, or forge, an authentic spiritual life.
I've lived so long among ghosts, / the puffed up shells, / watery husks / shimmering transparent skins / that shiver in the wind. / Like so much sea foam, / they shrink away / from the outstretched hand, / fall back into their emptiness.
As a writer and creative type who thrives in the online world, issues of copyright protection and piracy can be very real problems for me. Of course I want legal protections for my work. As an avid reader and web-surfer who loves lolcats and Dinosaur Comics as much as the next person, I want the artists, writers and creative types out there who produce content for my favorite sites to have those same protections — even, no, especially if those creative types are just some college students messing around on YouTube and not Hollywood stars making millions off the latest blockbuster. But that's not what SOPA/PIPA is really about. The SOPA and PIPA bills are like the ring of power forged in the fires of Mount Doom: one law to rule them all, one law to find them, one law to bring them all and in the darkness bind them. Sponsored by a bloated entertainment industry that overcharges for pretty much everything, these bills would put in place the kind of invasive oversight infrastructure that would not only allow large corporations to sue technology start-ups and independent artists out of existence based on little to no evidence of piracy or copyright infringement, but would require on-going surveillance of user-produced content that makes Facebook's privacy problems look like child's play. Any website perceived as a potential threat to the Powers That Be would be vulnerable to lawsuits, while individuals would be subject to censorship and data-mining as a matter of course, creating a hostile and uncertain online environment in which conformity becomes the order of the day.