Responses to a recent tweet by Pete Buttigieg rightly called out the presidential candidate for his use of the phrase "American Heartland" as "code for white." The incident raises interesting linguistic questions about how we unpack complex cultural metaphors.
I wonder what Jung would have to say about it, how for years now we have saturated the collective unconscious with stories of war, collusion and incest...
The thing about puzzles is, there’s a moment between when you have all the edges done, and when you have enough of the middle filled in to see what’s missing, what’s left.
It is only when we stop insisting that the clown be just one thing that he is free to become the multiplicity of being that he really is.
We might try to follow where the clown leads, but we cannot hope to pin him down. It is only when we stop insisting that the clown be just one thing that he is free to become the multiplicity of being that he really is.
This year Starbucks has completely capitulated to the growing pressure from right-wing fundamentalist Christian groups to "put the Christ back in Yule" by creating a holiday cup design that rejects all the Pagan symbolism of this blessed time of year.
In light of recent events and discussions, I wanted to share this essay as a robust defense of the sacred value of art, poetry and satire within both our theological explorations and our political discourse. It is my view that ambivalence itself can be sacred, for it opens us to authentic experiences of others which may be unexpected or challenging, and so we can appreciate this ambivalence and the art forms that express it as powerful and meaningful aspects of our relationship with the numinous, and with each other.