Tag: paganism

"Mars," (CC) Cyril Rana
Holy Wild, justice, Science & Civilization

Q&A: What will Druidry look like on Mars?

Alison Leigh Lilly

Jeff asks, "With recent discussions in the news about human beings one day traveling to Mars and setting up colonies there, I was wondering: What would Druidry on Mars look like?" Can you even do Druidry in space? One of the lessons that Druidry teaches is that every apparently empty "space" is already a place even before we arrive, brimming with its own qualities and communities that will inevitably draw us into relationship and change us. If the Star Trek: Original Series declaration to boldly go "where no man has gone before" is overtly sexist, the Next Generation's revision to go "where no one has gone before" is equally problematic...

"A celtic cross," by Spencer Means (CC)
Holy Wild, Mythology & History

Q&A: How do you honor your Irish Christian ancestors?

Alison Leigh Lilly

I try to answer an intriguing question put forward in an essay by Sionnach Gorm: "How do we, as devout polytheists, reconcile the historic reality that our ancestors (at some point in the 5th-6th century CE and with no evidence of coercion) chose to turn to a god of bells and tonsures, of monks and scriptures, of Rome and the Papacy? Why would they 'abandon' the gods of their ancestors, and choose this newfangled Christ and his missionaries?"

"Cosmic Dance," by Prabhu B Doss (CC)
art, Featured, Holy Wild, peace

Art, Entertainment and the Technology of the Sacred

Alison Leigh Lilly

In light of recent events and discussions, I wanted to share this essay as a robust defense of the sacred value of art, poetry and satire within both our theological explorations and our political discourse. It is my view that ambivalence itself can be sacred, for it opens us to authentic experiences of others which may be unexpected or challenging, and so we can appreciate this ambivalence and the art forms that express it as powerful and meaningful aspects of our relationship with the numinous, and with each other.

A More Wakeful World - Animist Blog Carnival Book Club
Deep Ecology, Holy Wild, News & Announcements

A More Wakeful World: Animist Book Club Call for Submissions

Alison Leigh Lilly

This May, the "ABC" in Animist Blog Carnival will also stand for the Animist Book Club! Here on Holy Wild, I'll be hosting this monthly gathering of bloggers and writers exploring the evolving role of animism in modern Pagan and earth-centered spiritual traditions. Most months, the ABC host chooses a theme for all participating writers to explore -- but this time, I wanted to try something a little different! The ABC theme for May will be: A More Wakeful World: Reviews and Responses to the Writing of Emma Restall Orr. The deadline for submissions is Sunday, April 27, 2014. Keep reading for more details on how to participate!

Deep Ecology, Holy Wild, Theology

Anthropocentrism and Animal Instinct

Alison Leigh Lilly

Where does our anthropocentrism come from? Some scientists cite evolutionary pressures as one possible influence among many. But others point to instinctual cognitive processes to explain just the opposite, suggesting that the anthropocentric worldview is actually a rejection of the human instinct, not its inevitable consequence. Even if anthropocentrism isn't instinctual, for many of us it is deeply ingrained. To a man with a shovel, it can be hard to imagine any other solution but to keep digging our way out of this anthropocentric hole we find ourselves stuck in. Western society has spent a long time convincing us that the shovel is the only effective tool we have. Are there alternatives? How do we learn to think beyond the biases of anthropocentrism and reconnect with the more-than-human world?

Deep Ecology, Holy Wild

Talking about Anthropocentrism in Modern Paganism

Alison Leigh Lilly

On the same day I published "Gods Like Mountains, Gods Like Mists," Irish animist Traci Laird also shared a piece in which she confronted the issue of anthropocentrism in modern Western Paganism more directly. She points out, very rightly I think, that "the belief that human-persons are the most significant species on the planet, plays out within paganism in subtle and tricky ways." The response to our two posts has been incredibly varied, with writers across the Pagan blogosphere grappling with notions of anthropocentrism that range so widely at times it seems they're hardly talking about the same thing at all. The more responses and reactions I read over the past couple weeks, the more I realized that the issue of anthropocentrism in Paganism is incredibly complex and at times very confusing. Subtle and tricky ain't the half of it! And so I wanted to spend some time teasing apart some of these ideas about anthropocentrism and anthropomorphism in Pagan ritual and theology.

Holy Wild, Muse in Brief

Of Apples and Awen. . .

Alison Leigh Lilly

It's been two weeks since my piece "Gods Like Mountains, Gods Like Mists" set off a fascinating and wide-ranging discussion about anthropocentrism in polytheist ritual and theology. In case you were wondering — yes, I've been busy reading, thinking, digesting and working on a follow-up post (or six!) of my own that I'll be sharing here soon. In the meantime, I wanted to point out some amazing writing elsewhere in the blogosphere. Featuring posts by Sara Amis, Joanna van der Hoeven, Heather Mingo and more!

Deep Ecology, Holy Wild, Theology

The Goddess, the Broom and the Barred Owl, Part 3

Alison Leigh Lilly

How do we understand the innocence of Blodeuwedd as the Flower Maiden, and her punishment as the Owl-Faced Old Maid? In the web of life in which everything has a proper and harmonious place as part of a greater dynamic balance, those beings who wander aimlessly without place or purpose — or who refuse to submit to their fate as decreed by the greater order of things — can potentially pose a threat to that balance, causing disruption and harm in their desperate desire to survive. Love of life can lead us astray. In the utter innocence and fierce love of the goddess there exists a lurking danger, where wildness shades into chaos and disharmony. Blodeuwedd is a goddess created in the image of the human being, for a very human purpose: to love and be loved. And yet she retains (as do we all) the undeniable influences of the natural world from which she was made, a more-than-human world in which love and life-force intermingle and overwhelm as the indomitable eros of passion. She exists in a liminal state, very much like our own species. She is a goddess of exile and displacement, and for that reason she is also a goddess of invasion.

Deep Ecology, Holy Wild, Theology

The Goddess, the Broom and the Barred Owl, Part 2

Alison Leigh Lilly

Blodeuwedd embodies the spirit of the trickster. She is herself literally the work of trickery and artifice. Her physical body is not a unity, but a cobbled-together assortment of twigs and blossoms given a kind of unnatural animation through the magic of Gwydion. And although she is designed by men far more powerful than she is for one specific purpose — to serve as Lleu's wife and queen — yet she thwarts that purpose through lies and deceit, following the call of her own hunger, her own passion and desire. As a result she is cursed, like so many other trickster figures, to aimless wandering in the wilderness, a social outcast. She is both subhuman and superhuman, both bestial and divine. She is the thief who steals away the beloved from the rightful king, except that it is her own self that she steals away — is this theft, or reparation? Either way, this is a goddess familiar with dislocation and disconnection, and one who embodies within her very being the ambivalence of human technology and how it mediates our relationship with the natural world.

Holy Wild, Muse in Brief

A Steampunk Meditation for Self-Transformation

Alison Leigh Lilly

Today I have a guest post up over on Nimue Brown's ever-inspiring blog, Druid Life — Steampunk Meditation for Self-Transformation, a blending of Victorian-era esoterica and glibly modern steampunkishness inspired in part by the ancient Three Cauldrons of Poesy. The meditation (and yes, it works) is my latest contribution to the anarchic, silly, and in no way secretive Secret Order of Steampunk Druids, which coalesced sometime back in 2012 between sips of tea and chap hop battles.