It's easy to think of the poet as the dreamer and visionary, protected from the noise of common society, fiercely guarding the sacred solitude in which she does her work. It's easy to imagine the peacemaker and political activist as the motivated mover and shaker, always busy, always at work on a plan to influence those in power and change the world. These ideals have often been at odds in my own heart as I've struggled to understand my place in society and how best I can live my life as a member of the world community. When the poet and peacemaker act together, not as opposites but as allies, the creative work that results can change the world in unexpected ways.
Tag: poetry
Saturday Surfing: Protest, Physics and Aesthetics, Oh My!
My gods, where did September go?! Oh that's right, I got married. Woot! Then we had a fantastic honeymoon. Double woot! (More pictures soon to come of both.) And now we're home again, our days laced with the scent of falling leaves and lengthening autumn nights. It's good to be home. As promised, I'm starting a new feature on the blog where I recap some of the most interesting links and articles I've come across during the course of the week, for your perusing pleasure. I'm going to call this "Saturday Surfing" because I am, as you know, a huge fan of alliteration. So check these out!
How to Become a Poet
When I was a sophomore in high school, I applied for a really exclusive summer school for aspiring student artists. I had been fancying myself a writer since first grade, and more specifically a poet since fourth or fifth. I was anxious but confident. I made it past the first round of interviews.... but I didn't get in. Today I stumbled across two pieces of internet flotsam that reminded me of that teenage, poetry-ridden self of mine. The second was an article by Jim Moore, who recently saw his seventh book of poetry into print. Moore writes: "People sometimes ask, especially parents of aspiring writers, 'What does it take to become a poet?' From my own experience I would say four things matter most. Everything else takes care of itself. ..."
The Elements
Prayer to the Three Wind, water, stone. Breath, blood, bone. I dwell in Nwyfre, energy, force, I honor Nwyfre, spark and source. Candle flame and incense rise, Enlightened mind and brightened eyes. ...
“What Makes a God,” A Myth Retold and More!
It's always nice to return home after a time away to discover you have a small pile of exciting news to share! This month, my poem "What Makes a God" appears in the most recent issue of Eternal Haunted Summer; my short story, "Yewberry," has been accepted for publication in the upcoming anthology of Pagan fiction, The Scribing Ibis; and I've received some wonderful support and link-love from the Wild Goose Festival and The Druid Network. Have a response or review of my work to share? Drop me a line on my contact page!
body politic | A Sonnet
body politic noun : (1) human organ of many heads ; tongues swarming from them [ as in, unison of insects ] ; hands, tangled beds of nails on which to rest evenly so as to spread weight, pressure without injury : (2) threat posed by ground swellings ; manifestation of projected intent to harm [ as in, the body of our enemy is dead, but not his intention ] : (3) the myth of history (archaic) [ ‘twas his own love that killed this shepherd, not our need to kill, and we remain innocent ] ; public will ; institutionally anointed gore to ensure death passes over our door
Quote of the Week
"The room where I live is plain as a skull, a firm setting for windows. A nun lives in the fires of the spirit, a thinker lives in the bright wick of the mind, an artist lives jammed in the pool of materials. (Or, a nun lives, thoughtful and tough, in the mind, a nun lives, with that special poignancy peculiar to religious, in the exile of materials; and a thinker, who would think of something, lives in the clash of materials, and in the world of spirit where all long thoughts must lead; and an artist lives in the mind, that warehouse of forms, and an artist lives, of course, in the spirit. So.) But this room is a skull, a fire tower, wooden, and empty. Of itself it is nothing, but the view, as they say, is good."
- Annie Dillard, from Holy the Firm
Etymology of My Gods
That word for god — the breath, the gleaming — the shining days like great columns bearing up the sky, buttresses, rafters. Beams that in their falling, hold. I say the names of my deities, I feel the drop of each sound into silence. They gather on the long, bent grasses in the meadow and the field, *dewos-, the many that glisten in the coming dark. Amulets of sky, jewels of the daylight, coalescing in the movement of my breath, the lingering touch of the wind. They draw themselves, wavering, into the weight and gravity of form. I open the door, and the gods enter the dark interior of my being.
After Beauty
Strange, that all of a sudden I remember the poem — the smell of the book it was in, like a palmed cigarette stub sweaty and stale with old smoke, and how worn it was, and loose in its faded jacket — and I don't recall the poem itself. Just that it was about a girl — I imagine her with oily hair in waves rich with grief that you could dip your fingers in — and perhaps a convenience store, closed for the night with security fluorescents churning in their cluttered hollows, or a living room in an old apartment with the shades drawn, or at least some other dark, crowded place where the noise and hands are hard and constant, tearing the throat out of dirty evening sunlight.
