Writing in a group setting is different, much more like praying together. Or sitting together in meditation. Being present to each other in-process, witness to the very act of discovery and composition, soul-deep in the chaotic waters of creativity. This is writing as a spiritual practice — a kind of sacred deep listening, what Karen Hering calls in her book Writing to Wake the Soul, "contemplative correspondence."
"There are two paths to transformation: the way out-beyond and the way deep-within. Either way will work. But it's no good to stay here wavering between the two, weighing which one asks the least of you." A leap day altar, and more excerpts from my altar-a-day challenge...
The latest issue of the Alternative Religions Educational Network's newsletter just came out this past weekend, and I was excited to be included as one of those featured in an interview with the editor, Christopher Blackwell. We chatted about my background being raised in a liberal Catholic tradition flavored by my father's Irish heritage, and how that shaped my spiritual journey towards Druidry as I live and practice it today. It was great fun! One thing we touched on was the Oran Mór, or the Song of the World. Chris asked me to talk a little bit more about how this cosmological concept is reflected in my Druidry. You can read the excerpt here, or check out the whole interview.
Snowshoeing opens up possibilities for exploration that ordinary hiking can't. With a sturdy pair of snowshoes and eight feet of snow, winter is the perfect time to rise above ordinary obstacles and move deeper into the heart of the forest. To walk is itself a kind of ritual, a practice that changes us in subtle and significant ways. To move through the land, we have to be attentive and responsive to it. To survive these cold months, it's not enough to stay hunched in front of our computer screens all day long theorizing and debating. We must become apprentices of this goddess, Winter — to truly know her and her work, we must go out to meet her beneath the trees.
When we see nature itself as a constantly-unfolding story about the deepest, most sacred truths of life and death, we can adapt the practice of Lectio Divina as a creative approach to meditation that can strengthen our relationship with the earth. Here are just a few ideas about how to use the practice of Lectio Divina to engage with the stories of nature. Although we can approach each of the four stages of Lectio Divina as distinct activities that we can do one at a time on their own, we experience the most benefit from this kind of spiritual work when we bring them together into a single coherent, continuous practice.
When we light a candle in our ritual space, we ignite a flame within ourselves. When we pour water or burn incense as offerings, we offer ourselves as well, to soak into the earth or rise in gentle wisps of smoke towards the sky. Imagining these things is not enough — the work demands that we engage not only with our minds and hearts, but with our bodies. This is the original meaning of celebration: a gathering, a time of coming together. We've come to think of celebration as an occasion for happiness and enjoyment, because this sense of wholeness that we find in company with ourselves and with others is deeply nourishing and joyful for us. But celebratory spirituality also means being fully present to sorrow and suffering, and giving our whole selves as much to hard work and discipline as to pleasure and delight. Celebratory ritual is about our willingness to be fully present to the world and its gods.
I haven't meditated in nearly a year. The other day, I sat down to renew my work, and my brain, that chattering monkey mind, wouldn't shut up for one second. Plan, plan, plan. Row, row, row. Enamored with its own frenetic activity. I made meditation just one more task on my to-do list, one more way that I would prove myself the better person, force myself into the mold of accomplishment and success that I had made for myself. It didn't work. So what's a slacker contemplative to do?
I'm a few days late with this announcement, but... exciting news everyone! The equinox issue of Aontacht Magazine is out, and it's available free on the Druidic Dawn website. This issue focuses on sacred spaces and sacred places, exploring this theme from a variety of perspectives. In the spirit of connecting to those lesser known and often overlooked spaces, my Wild Earth feature article revisits the practice of Lectio Divina as an opportunity to connect to the story of place in the natural world around us, engaging more deeply with its beings and spirits through observation, meditation, prayer and silent contemplation.
I've created many altars, shrines and ritual spaces over the years. Each expressed the unique needs and aspirations of who I was at the time of its creation, and each balanced the limits of my living space with the potential for aesthetic and spiritual engagement. For these have all been living spaces — spaces that were alive with their own energies and moods, spaces that shaped my understanding of myself and sculpted me into new forms even as I organized and cleansed and decorated and invariably made a mess of them in an ever-repeating cycle. House-hunting in Seattle has put me in mind of these many different sacred spaces, and what new altars I will craft as I make a home for myself on the shores of a new ocean. So, while I'm nursing my jet lag and scrambling to pack, I thought this week might be a good opportunity to take a look back at some of those altars of old as I dream of inspiration for new ones yet to come.
Going into the future is like going into the dark. That was the theme of our family's solstice ritual this year, as the nine of us (grandparents, parents, four kids and one cool step-uncle) settled down into a circle in the darkness of the living room. It was several hours after sunset on the longest night of the year, and the kids were antsy with excitement over unopened presents. I struck a single match, and began to weave our sacred space.
Alison Leigh Lilly 